If you want modern instruments versions then I would get Richter, I Musici, and Britten. 3 & 4), Erin Helyard (Nos. Bach’s six Brandenburg Concertos can possibly meet every demand throughout. Brandenburg Concerto No. By the end of the 1700s it was not longer acceptable or common to change instruments from what the composers indicated, but in the time of Bach that was not true. 4 in G major. Buy 2 CDs online. 1 are lovingly caressed, though the improvised cadenza in the middle of No. J.S. The 6 concertos got their name from the nobleman they were dedicated to, Christian Ludwig, Margrave of Brandenburg-Schwedt. While they are ususally presented as a group, they actually each feature quite different solo instruments (harpsichord, flute, trumpets, etc. See details. JS Bach: Brandenburg Concertos & Sinfonias from the Cantatas. Jordi Savall (director)Le Concert des Nations (1991). 00:35 Allegro 2. 4 in G, BWV 1049 BACH Brandenburg Concerto No. The high polish of the playing is matched by a similarly precise recording. Johann Sebastian Bach’s Brandenburg Concertos are in the front rank of the masterpieces of Western music, and are his most-performed and best-known works. 04:40 Adagio 3. This set offers an irresistibly expansive and effusive approach, right down to the immediacy of the recording and the vast breadth of the sound. The Brandenburg Concertos represent a popular music genre of the Baroque era—the concerto grosso—in which a group of soloists plays together with a small orchestra. The title ‘Brandenburg Concertos’ was dreamed up in the 19th century by Bach’s first biographer but, in fact, they were never conceived as a set nor intended specifically for the Margrave – Bach selected them from his back catalogue of works written while Kapellmeister at the court of Cöthen (1717-23). 1 comes off particularly well by contrasting a galloping first movement with an unexpectedly luxuriant and beautifully inflected slow movement, while in the final dash of dance movements the Polonaise is singled out for unusually mellow treatment. 1 in its three-movement ‘Sinfonia’ form, and No. Their wide-ranging instrumentation and virtuoso demands were designed to showcase Cöthen’s outstanding instrumentalists, whose talents seem to have spurred Bach on to explore the potential of the concerto form itself which he reinvented with each new work. If you already own a recording of the Brandenburgs, but are on the look-out for a different perspective, Christopher Hogwood’s 1984 recording still has much to offer. ABC Classics: ABC4761923. 6 in B-Flat, BWV 1051: II. This piece showcases Bach’s inimitable strength as a contrapuntist. Wed … Written between 1708-1721 for Christian Ludwig, Margrave of Brandenburg, they are based on the Italian concerto grosso style. 1 in F Major, BWV 1046 Peter Hanson, Piccolo Violin Antonio Vivaldi, Concerto in A Minor for Two Violins, RV 522 Peter Hanson and Johanna Novom, violin J.S. 3 in G, BWV 1048 BACH Brandenburg Concerto No. 5 Overview: This baroque concerto is composed by Johann Sebastian Bach, the famous baroque composer of his time. Resolutely clear and un-sensational, these performances un-complicate the Brandenburgs, and their transparent textures make Bach’s engaging part-writing a joy to follow. Johann Sebastian Bach met Christian Ludwig, Margrave of Brandenburg in 1719 during his tenure as music director at the court of Leopold of Anhalt-Cöthen, who was the young prince responsible for signing up some of the musicians who were previously employed by Frederick William I. Bach worked at Anhalt-Cöthen from 1717 to 1723, and he and Leopold developed an excellent working relationship there. This lightness of touch doesn’t imply a lack of emotional weight: the poignant violin and oboe solos in the slow movement of No. Recorded gently over ten years, what this set offers above all is a level of chamber-like intimacy which eludes even Alessandrini and Pinnock. The solo playing is wonderfully relaxed – more a conversation than a contest between players – while the end of No. Suzuki has become one of the leading Bach interpreters having recorded the whole of Bach's cantatas, and most of his choral music. 6 in B-flat, BWV 1051. Christopher Hogwood (director)Academy of Ancient Music (1984)Decca 455 7002. Adagio ma non tanto. 2 in F major, age 36. This recording helped pioneer one-to-a-part performance in these pieces and, despite a few moments of emotional coolness, it has stood the test of time remarkably well. In such familiar works even the smallest changes to melodic figuration, rhythm and articulation stand out, but best of all is the unbelievably jaunty countermelody which originally accompanied the horns in the second Trio of No. Two years later the composer, who kn… In 1721 Bach dedicated his score – in flowery French – to Christian Ludwig, Margrave of Brandenburg, not in fulfilment of a commission but more as a thinly disguised application for employment at the Margrave’s court. Relaxed – more a conversation than a connection between movements Buy online for or! Savall usually ensures thrilling rhythmic vitality and elegantly-inflected Ensemble playing, but these Brandenburgs from 1991 quite... 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